Бесит, когда Локи не любят только потому, что он, видите ли, образом не совпал с прототипом из мифов. В чем проблема? Просто не смешивайте этих двух персонажей.
Правила локитреда
Первое правило Локитреда: Нарушать все правила локитреда.
Второе правило Локитреда: Кат - для слабаков.
Третье правило Локитреда: Мир, дружба, попа Тома!
Четвертое правило Локитреда: 10 смайликов - это няшно и Локи и Томоугодно.
Пятое правило Локитреда: Одна фотка - один пост, и никаких превью!
Шестое правило Локитреда: Баяном считается запощенное не менее трех раз в одном и том же треде. Все остальное - новые няшные фоточге и интересные новые темы.
Седьмое правило Локитреда: Здесь любят Локи, Тома, всех, кто подвернется под руку и даже Бороду Томме.
Восьмое правило Локитреда: Обнимашге, лучи любви, окровавленный топор и маньячная улыбка - вот наши документы.
Девятое правило Локитреда: Мьеллнир - это не только молот, но и масса лулзов при просмотре фоток Томме.
Десятое правило Локитреда: Обсуждаться может абсолютно все, что угодно. Не нравится обсуждаемая тема - предлагай свою или молча проматывай дальше.
Одиннадцатое правило Локитреда: Несешь ссылку - подпиши, про что. Больше трех не подписанных ссылок на одну страницу треда подлежат выпилу, начиная с первой.
Двенадцатое правило Локитреда: ЛОКЕБОХ!!!!!
Клятва Ночного Дозорного
Слушайте мою клятву и будьте свидетелями моего обета... Ночь собирается, и начинается мой дозор. Он не окончится до самого утра. Я не пойду в другие треды и на другие соо. Я не буду писать от ника и не буду разводить холивар. Я буду писать и флудить только в Локитреде. Я — анон во тьме; я — Дозорный в Локитреде; я — луч любви, который разгонит регулировщиков; я — обнимашки для всех; я — пикспам, который радует заходящих; я — кат, который охраняет от других тем. Я отдаю свою ночь и сон Локитреду среди этой ночи и всех, которые грядут после нее...В треде мирно сосуществуют слэшные, гетные и дженовые направления. Срачи на эту тему категорически запрещены.
Предыдущие темы:
1-1001, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 37, 38, 39, 40, 41, 42, 43, 44, 45, 46, 47, 48, 49, 50, 51, 52, 53, 54, 55, 56, 57, 58, 59, 60, 61, 62, 63, 64, 65, 66, 67, 68, 69, 70, 71, 72, 73, 74, 75, 76, 77, 78, 79, 80, 81, 82, 83, 84, 85, 86, 87, 88, 89, 90, 91, 92, 93, 94, 95, 96, 97, 98, 99, 100,
...101, 102, 103, 104, 105, 106, 107, 108, 109, 110, 111, 112, 113, 114, 115, 116, 117, 118, 119, 120, 121, 122, 123, 124, 125, 126, 127, 128, 129, 130, 131, 132, 133, 134, 135, 136, 137, 138, 139, 140, 141, 142, 143, 144, 145, 146, 147, 148, 149, 150, 151, 152, 153, 154, 155, 156, 157, 158, 159, 160, 161, 162, 163, 164, 165, 166, 167, 168, 169, 170, 171, 172, 173, 174, 175, 176, 177, 178, 179, 180, 181, 182, 183, 184, 185, 186, 187, 188, 189, 190, 191, 192, 193, 194, 195, 196, 197, 198, 199, 200, 201, 202, 203, 204, 205, 206, 207, 208, 209, 210, 211, 212, 213, 214, 215, 216, 217, 218, 219, 220, 221, 222, 223, 224, 225, 226, 227, 228, 229, 230, 231, 232, 233, 234, 235, 236, 237, 238, 239, 240, 241, 242, 243, 244, 245, 246, 247, 248, 249, 250, 251, 252, 253, 254, 255, 256, 257, 258, 259, 260, 261, 262, 263, 264, 265, 266, 267, 268, 269, 270, 271, 272, 273, 274, 275, 276, 277, 278, 279, 280, 281, 282, 283, 284, 285, 286, 287, 288, 289, 290, 291, 292, 293, 294, 295, 296, 297, 298, 299, 300, 301, 302, 303, 304, 305, 306, 307, 308, 309, 310, 311, 312, 313, 314, 315, 316, 317, 318, 319, 320, 321, 322, 323, 324, 325, 326, 327, 328, 329, 330, 331, 332, 333, 334, 335, 336, 337, 338, 339, 340, 341, 342, 343, 344, 345, 346, 347, 348, 349, 350, 351, 352, 353, 354, 355, 356, 357, 358, 359, 360, 361, 362, 363, 364, 365, 366, 367, 368, 369, 370, 371, 372, 373, 374, 375, 376, 377, 378, 379, 380, 381, 382, 383, 384, 385, 386, 387, 388, 389, 390, 391, 392, 393, 394, 395, 396, 397, 398, 399, 400, 401, 402, 403, 404, 405, 406, 407, 408, 409, 410, 411, 412, 413, 414, 415, 416, 417, 418, 419, 420, 421, 422, 423, 424, 425, 426, 427, 428, 429, 430, 431, 432, 433, 434, 435, 436, 437, 438, 439, 440, 441, 442, 443, 444, 445, 446, 447, 448, 449, 450, 451, 452, 453, 454, 455, 456, 457, 458, 459, 460, 461, 462, 463, 464, 465, 466, 467, 468, 469, 470, 471, 472, 473, 474, 475, 476, 477, 478, 479, 480, 481, 482, 483, 484, 485, 486, 487, 488, 489, 490, 491,
492,
493,
494.
И это не делает показанного в сериале перса ни более интересным, ни более пугающим, ни более интригующим.
— Были разные версии [финала], и это было то, что мы разработали во время перерыва. Возможно, мы закончили одну главу истории, и это то, что дает нам захватывающую движущую силу к тому, что произойдет дальше.»
— Он накрывает стол для будущих приключений. Вывести этого персонажа на экран было огромной ответственностью и привилегией. Он совсем другой злодей по сравнению с Таносом. Я помню, когда увидела наброски. Я сказала: «Было бы здорово, если бы мы сделали это». Но все могло измениться в мгновение ока. Я подумала: «Ну, может, они все поменяют и скажут, что нам нельзя [использовать Канга]». Но они этого не сделали. В этих телешоу меня захватывает то, что они будут очень тесно связаны с фильмами. Я нашла это действительно захватывающим не только как фанат, но и как режиссер.»
А что будет делать его злая версия? Бросаться во всех огрызками яблок? Почему мы должны его бояться?
А где, где диалог? Анон выслушал монолог кривляющегося негра и посмотрел презентацию на столике. Да, устал.
Ну да, у него даже указательный палец на это указывает
Не на пользу пошел перерыв.
Финал был отличный, включая посткредитку - вот где был настоящий романтик на разрыв и убойный клифф.
Актриса описала образ мышления своего персонажа в этой сцене, когда она стоит перед человеком, «который отнял у нее жизнь», наполненная гневом, который «рос всю ее жизнь». В этот момент Сильвия считает, что «убийство его [Того, кто остается] заставит ее почувствовать себя лучше», и эта вера «сильнее любых чувств, которые она испытывает к Локи»:
— Она всю жизнь выполняла свою миссию, чтобы добраться до того, кто стоит за TVA, который украл у нее жизнь и похитил маленькую девочку. Гнев, который у нее был в детстве, только рос, рос и рос на протяжении всей ее жизни, до этого момента, когда парень, который его вызвал, стоит прямо перед ней. Она думает, что убийство его заставит ее почувствовать себя лучше. Это чувство в тот момент сильнее любых ее чувств к Локи.
Незадолго до того, как два варианта Локи поцеловались, герой Хиддлстона признает, что он «ужасный человек», но отмечает, что она изменила его. Герой заботится о ней и просто хочет, чтобы с ней «все было в порядке». По словам актрисы, проникновенные слова Локи «немного разбили ей сердце».
— Он говорит ей что-то действительно приятное, прежде чем они поцелуются. И когда кто-то говорит: «Я хочу, чтобы с тобой все было в порядке», это настолько приятно слышать, особенно для того, кто поврежден как Сильвия. Это немного разбивает ей сердце, потому что она просто желает себе счастья.»
Страстный? Что?..
+1! Можно было вообще в 3 слова свернуть и показать то, что зрители ждали - Асгард и Башню Старка, не так обидно было бы.
Такой заезженный троп, мама не горюй. И она еще что-то говорят про паттерны Локи.
разделили страстный поцелуй
страстный поцелуй
страстный
Таблы?
Внешне - руки, пожалуй.
В характере персонажа - ирония & сарказм, наглость, чувствительность, умение нестандартно думать, понимать и использовать чужие мотивы. И еще умение любую ситуацию обратить в свою пользу. Раз жив - значит, еще не конец света (хотя ни конец света, ни смерть еще не повод помирать).
Хорошо сказал. Красиво.
О, руки да, только рисовать.
Про характер интересно описал.
In Episode 6, “For All Time. Always.,” Loki and Sylvie arrive at the Citadel at the End of Time and are greeted by He Who Remains who reveals himself to be the TVA puppet-master and creator. He’s also got a proposition for the two of them: What if they take over the TVA and run it together, on the same timeline? Loki seems swayed by He Who Remains’ reasoning, but Sylvie isn’t buying it. After an all-out brawl which culminates in a passionate kiss between Loki and Sylvie, it seems they might have reached a middle ground...until Sylvie pushes Loki through a Time Door with He Who Remains’ TemPad.
Бог чего?
одеялок
Пиздец пиздецов просто.
одеялок
Скатертей.
одеялок
Скатертей.
Фейерверков. Второй Гендальф.
Скатертей.
Фейерверков. Второй Гендальф.
Эй, ну вы чего? Пледиков!
+100500 Анончик, всю серию любовалась Томом и его игрой.
Сильви всю жизнь бегала от TVI, будучи ребёнком блин.
Что-то не сильно она счастливая была, когда убила и села рядом.
Кангу, пока Локи объяснялись и дрались, хотелось дать попкорн)
Я вот думаю может он в альтернативное TVA попал, где его не поймали и Мебиус просто его не знает поэтому? Вдруг опять придётся стажером притворяться и смотреть по ситуации. Хорошая заделка второй сезон по любому.
Плюс в Тик токе пошла волна роликов по Локи, и почти +2 млн подписчиков у Тома в Инстаграм.
Илон Маск похвалил шоу, это офигенская бесплатная реклама. В техническом и ИТ твиттере аудитория точно вырастет!
Скоро будет сериал со змеем и съёмки 2 сезона.
Анон очень счастлива и рада за Томушку!
Пережили мы период отсутствия новостей и вакуума по проектам)))
...
Sylvie asks He Who Remains if he wants to beg for his life (he declines), and she plunges her sword into his chest. That solace she was hoping for? It doesn’t come. Defeated in a different way now, Sylvie slumps down onto the floor.
“When she kills him, she's just completely unfulfilled. It didn't do what she wanted to do. She doesn't feel that relief.”
Though viewers can’t see Sylvie’s face as the camera pans back to the branching timelines outside the window, her emotions are still there swirling around the room.
“That final moment is just utter devastation. She thought she was going to get the relief that she's been waiting for her whole life. She's built this up so much. She finally kills the guy right at the top, and feels nothing. Still feels sort of angry and bitter and sad, as she always has. But nothing, just emptiness and that's really sad.”
This is the last viewers see of Sylvie for the season, and she’s now completely alone at the Citadel at the End of Time, with only He Who Remains’ linger warning. What’s next? “What she does with [that sadness] is yet to be seen. It’s an interesting place to start another chapter,” teases Di Martino.»
However, with He Who Remains in the room, “she still has to kill this guy.”
So off Loki goes backwards through a Time Door, leaving Sylvie behind with just her machete and He Who Remains. The moment she’s been building towards her whole life has finally arrived.
“She still has to see her plan through to the end,” Di Martino continues. “The kiss, for me, was like a final sort of thank you and goodbye. It's been fun, dude, but at the end of the day, I'm not you and I've got a mission, and I'm going to see this through, on my own, to the end. So see ya.”
After a beat, Di Martino laughs. “That sounds so awful saying that!”»
Что-то не сильно она счастливая была, когда убила и села рядом.
Да пацифист Локи тоже вроде не светится довольством и счастьем. Какой-то выбор перекошеный предлагается, как в "Унесенных ветром" - ты за решительную Скарлет или соплежуя Эшли?
Tom Hiddleston is “so excited by the possibilities.”
«Marvel Studios' Loki will return for Season 2, streaming exclusively on Disney+! At the end of Episode 6, "For All Time. Always." the end credit scene reveals that Loki will be back for more adventures in the future.
“I am so grateful that we got to do Season 1, I still am not quite able to process that we get to have another go at this. I am so excited by the possibilities,” star Tom Hiddleston tells Marvel.com. “We are already in discussions. Deep, deep, deep discussions. I can’t wait to get started.”
The Season 1 finale ends on a major cliffhanger. After Loki and Sylvie find themselves face to face with He Who Remains, Loki is transported back to the halls of the Time Variance Authority. However, this isn’t the TVA Loki knows — and no one knows him.
“I want to say thank you to the audience because without the audience, we wouldn’t be able to make a Season 2,” Hiddleston continues. “I hope Season 1 was full of surprises. And I think Season 2 will be full of even more.”»
As Season 1 of ‘Loki’ comes to a close, it “provokes as many questions as it provides answers.”
«Variants. Time Keepers. Apocalypses. Alligators. Jet Skis. Over the course of Season 1 of Marvel Studios’ Loki, the God of Mischief has seen and done it all across the Sacred Timeline. But now at the end of time — literally, Loki has arrived at the Citadel at the End of Time, accompanied by Sylvie — only one question remains: Has this journey changed Loki? It’s even a question He Who Remains poses, reminding the duo that they can’t reach the end until they’ve seen a change: “It needs to happen, to get us all in the right mindset to finish the quest.”
For a trickster who has always been so focused on his wants and needs, it’s safe to say that Loki’s time working for the Time Variance Authority (and then trying to take down the TVA) has certainly shaped him in ways we haven’t seen before. Gone is the Asgardian who commanded people to kneel before him; now, for the first time, we’re seeing a softer side to Loki as he realizes that his choices have consequences and he’s in charge of his own destiny — no one else. Going all the way back to the very beginning of Episode 1, as Loki stands before Judge Renslayer at the TVA, he yells that no one else will dictate how his story ends, and he’s finally doing just that.
“Loki, as a show, has introduced so many complex ideas, and themes, and conversations,” Tom Hiddleston tells Marvel.com. “One of the things I've been so pleased and thrilled to see with the show is how deeply the audience is engaged with the big ideas, the ideas of fate versus free will, agency versus determinism. Do we have the capacity to genuinely choose our path through our lives? And in those choices, where do we derive meaning? To what extent are any of us free? To what extent are these characters free to choose their route through the universe and self-realize and determine the course of their lives?”
Loki didn’t change completely on his own, though, as everyone he encounters throughout all six episodes influences him in ways he never could have predicted, from his surprising friendship with Mobius to Classic Loki reclaiming his “glorious purpose.”
“People latched onto the relationship between Loki and Mobius, and understood that there was a mirror in the two of them,” Hiddleston says. “Both Mobius and Loki had a lot to teach each other. Mobius opens up Loki’s sense of his own identity and that this might be something that's malleable. And then Sylvie opens up something in Loki about the nature of identity. And that Loki is able to then reflect back to Mobius.”
“In Episode 5, suddenly, the conversations the three of them have had [cause] an effect on the variant Lokis — on Classic Loki, on Kid Loki, on Boastful Loki. I like to think on Alligator Loki, too. Maybe he starts to think about free will.”
This all comes to a head when Loki and Sylvie have the most important conversation of all, with He Who Remains. Standing before this man behind the curtain, He Who Remains lays out his entire philosophy, the reason behind the TVA and all the smoke and mirrors. It’s to protect the Sacred Timeline from his own variants.
“This conversation between the three of them about the nature of reality, about the nature of time, about the nature of the multiverse, and the question about whether the TVA organization has any moral authority to determine reality as we see it,” Hiddleston continues. “There's an enormous amount to unpack, an enormous amount to think about, and it provokes as many questions as it provides answers.”
Loki, having gained a new perspective, wants to stop and think about what he’s just learned since it’s heavy. Sylvie, on the other hand, believes “he’s stalling for time and that it’s another manipulation. She feels is on the precipice of some catharsis,” adds Hiddleston. The two come to a disagreement where they both believe they’re the one in the right. Loki wants to weigh the options of He Who Remains’ proposal, and Sylvie just wants this puppet-master dead.
“It’s incredibly distressing for both of them that they disagree in this moment,” Hiddleston says. “It was quite an intense scene for us. We knew we had to be quite precise about the way the scene unfolded.”
Not only are they verbally arguing, but soon both have their weapons at the ready and are trading blows back and forth. (Something He Who Remains giddily watches from the sidelines.)
This finale was the last thing shot for the season, with Jonathan Majors joining the cast, as He Who Remains, for the last week they were in production. From there, it was time to dive into the trio’s conversation and how it caps off all the themes leading up to this point — identity, free will, and accepting yourself, to name a few.
“Right up to the time of the few days in which we filmed it, we were refining the dialogue between Loki and Sylvie because we needed to make sure that there was a balance,” Hiddleston recalls. “Both their positions [needed to be] articulated, and the audience could see the struggle. We worked all weekend to make sure we integrated the scene with the choreography so that it was completely seamless. The disagreement was at the center of all of it, and every word and every move.”
Unfortunately, the two just can’t see eye to eye on the situation — as He Who Remains points out, Sylvie can’t trust and Loki can’t be trusted. Hiddleston even notes, “At the center of Loki’s identity, certainly for as long as I’ve played him, is untrustworthiness. He’s unpredictable and spontaneous.”
But now, with a tearful confession to Sylvie, Loki’s newly changed outlook shines through as he takes everything he’s learned over the course of the series and tries to reason with her. But, “it’s heartbreaking pain because she’s not on the same page.”
“The confession in Episode 6 reveals how much he’s evolved. Sylvie believes Loki’s position comes from the same old motivation to sit on a throne. But it doesn’t. It comes from genuine care for another being outside of himself. It speaks to a theme that was very close to all of our hearts as filmmakers, which was about self-confrontation, and self-awareness, and self-forgiveness, and self-acceptance in some way. That the only way of moving forward is to acknowledge who you are. And then change can begin.”
Making matters worse, Sylvie isn’t the only familiar face Loki loses in the end. Though he ends up back within the halls of the TVA, this isn’t the TVA he left. The choices Loki and Sylvie made at the Citadel at the End of Time are already breeding consequences, one of which is that “his friend Mobius doesn’t recognize him and doesn’t know who he is. His destabilization in that moment is profound.”
Loki and Mobius’ friendship has been a touchstone for the series, and according to Hiddleston, as the show was being developed, their relationship was “one of the things I was drawn to.”
“I’m very moved by the idea of their friendship,” he continues. “I don’t think Loki has allowed himself to have many friends. Because to have friends, you have to be vulnerable, and you have to trust. Loki’s so defensive, vulnerability and trust, those two things don’t come easily to him. Mobius is perhaps the first figure in Loki’s life to sit across from him and reflect him back to himself without judgment, but somehow with compassion.”
“Mobius is able to contain Loki and say, ‘This is who you are. And I understand.’ That feeling of compassion or lack of judgment is new for Loki, and allows him to open up in a way that facilitates the genesis of this unique friendship. Mobius also is surprised by his affection for Loki. And then it’s Loki who teaches Mobius about life outside the TVA, life before the TVA. Maybe he had a life. Maybe he had a family. Maybe he had a jet ski. They mean a lot to each other, and they’ve done a lot for each other.”
With a new Mobius now in the mix, this means that the pair’s parting goodbye in Episode 5 was their final farewell, when “Mobius offers his hand; Loki chooses to hug him and he says, ‘Thank you, my friend.’ That’s very sincere and very meaningful.”
What’s a trickster to do when he finds himself in an unfamiliar place surrounded by people he used to know? That remains to be seen, as the season ends before those questions are answered, laying the complex groundwork for Season 2 and the lingering unanswered TVA questions.
“What’s been fascinating for me making it, and continues to be one of the most interesting questions of our story, is the moral complexity of the TVA,” Hiddleston concludes. “The idea that an organization that claims to govern the order of time with benevolence and precision is actually something much more ambiguous. And there's a question: On what authority does the TVA, or anyone who has set it up or runs it, decide who gets to live and who doesn't, who gets to participate in reality as we know it?”»