Бесит, когда Локи не любят только потому, что он, видите ли, образом не совпал с прототипом из мифов. В чем проблема? Просто не смешивайте этих двух персонажей.
Правила локитреда
Клятва Ночного Дозорного
В треде мирно сосуществуют слэшные, гетные и дженовые направления. Срачи на эту тему категорически запрещены.
Пост сбора для тех, кто планирует поездку в Лондон на театральный проект Тома. Поиск попутчиков, обмен информацией, советы бывалых.
London’s Harold Pinter Theatre с 5 марта по 1 июня 2019 года. Постановка по пьесе Пинтера "Betrayal". Билеты в продаже с 30 ноября.
Предыдущие темы: 1-100 , ... , 346, 347, 348.
Вопрос: Анон, повангуем, что будет после спектакля.
1. Ебеня. Нужно отдохнуть от ежедневных стейджоров и вообще, сколько можно работать? | 11 | (7.53%) | |
2. Сериал. Сколько можно отдыхать? Пора бы уже поработать. | 19 | (13.01%) | |
3. Активная по томиным меркам светская жизнь. | 17 | (11.64%) | |
4. Прогулки с Боббиком. И хватит с вас. | 19 | (13.01%) | |
5. Свадьба. Читайте Таймс. | 6 | (4.11%) | |
6. Шуры-муры и, возможно, не с Зойкой | 4 | (2.74%) | |
7. Новый спект. Все было не зря. | 9 | (6.16%) | |
8. Коны-коны-коны. Очереди за сотни баксов к никомуненужномунаподдержаниештанов. | 15 | (10.27%) | |
9. Внезвапнофильм. Без комментариев. | 19 | (13.01%) | |
10. ЛОКЕБОХ!!! ТОММЕСУПЕРСТАР!!! | 27 | (18.49%) | |
Всего: | 146 Всего проголосовало: 49 |
«He is currently wowing audiences with his co-stars Charlie Cox and Zawe Ashton in the West End play Betrayal.
And Tom Hiddleston continued to make his fans' night as he stepped out to meet them following his performance at the Harold Pinter theatre on Thursday.
The 38-year-old actor took the time to see those waiting outside the stage door, and was happy to chat, sign their programmes, and take pictures with the delighted fans.
The Thor: Ragnarok star kept warm in a black jacket which he teamed with denim jeans and brown suede shoes.
Tom maintained his signature rugged look as he combed his brunette curls back and had a close-cropped beard.
Joining him to meet with fans was Charlie, as the Daredevil star was seen chatting away with a fan after the show.
Charlie kept things casual as he donned a grey sweater over a white shirt, while he looked sharp with his well-coiffed hair.
While Zawe also met fans, and she looked effortlessly chic in a black jacket which she wore over a grey jumper to keep off the evening chill.
The play, written by Harold Pinter, follows a seven-year extramarital affair between Emma (Zawe) and Jerry (Charlie), behind her husband's Robert's (Tom) back.
Tom's after-show appearance comes after it was announced that Tom would star in one of three new Marvel series on the Disney+ streaming service.
The actor is set to reprise his role as the God of Mischief in the titular role, though it is unclear in what period of time the series will take place in.
The service will launch in the U.S. on November 12, 2019, and will cost $6.99 a month, while it's not known when Disney+ will launch in the UK, or the expected price tag.»
www.dailymail.co.uk/tvshowbiz/article-6941593/T...
«Продолжительность фильма составляет 3:00:57, титры начнутся начиная с отметки 2:48:56.
Пять минут будут длиться красочные анимированные титры, а обычные (на черном экране) начнутся с 2:53:17.
Это означает, что поклонники должны подождать почти 12 минут, чтобы увидеть последнюю сцену.»
Долго думал почему Ельцин
И бухая с
мостакорабля падалаНью Асгард, который мы заслужили
Betrayal at Harold Pinter Theatre: Powerful and wonderfully measured, Hiddleston’s performance is first-rate
The eyes and silence speak louder than words. And the latest production of Betrayal, directed by Jamie Lloyd, majestically embodies this. The clean set design and the occasional music – an evocative rendition of Enjoy the Silence – boost the remarkable performances of the trio on stage. Pinter’s tense play, at times tinted with absurdity as well as comedy, closes the Harold Pinter Theatre’s year-long season dedicated to the playwright with an exquisite act.
Emma (Zawe Ashton) is married to Robert (Tom Hiddleston), but she has a long-standing affair with her husband’s best friend, Jerry (Charlie Cox). Going in reverse order, the story begins when Emma and Robert are ready to file for separation, moving through the highs and lows of the woman’s extramarital relationship, and backwards again, until the very beginning of Jerry’s infatuation with Emma.
The apparently simple plot opens the world of suppressed emotions and unsuspected unlimited nuances of betrayal that a triangle such as this can cause. Next to the thin dialogues, the solid silence and the unsaid, accompanied by very calibrated movements, make the conspicuous substance of the play. That is why high praise is due to the cast members who tuned in with this feeble body of the sсript, apt to crack at any given moment, instead fully embracing all the heaviness and the emotional strain it entails.
Touching the humorous chords of the situation, the unexpectedly frequent laughs and ridiculous repetitions refresh the drama.
It is hard to imagine the subtle web of lies and games between the parts couldn’t spark any burst of anger. Tom Hiddleston is a superb personification of controlled temper, while the blood in the veins is pumping fiercely: Robert is really concerned – at least at the beginning – about the shambles of his marriage life. Everything crumbles, but smoothly. First the wife’s confession, then the confrontation with the friend: apparently without friction, if not for the slight change of tone and small ticks Hiddleston assumes. It is a boiling fury, hidden, masked by his disregard, and finally appeased in a civil way. It’s a first-rate performance: powerful and wonderfully measured, with its spins of needed humour.
Charlie Cox is the other pivotal player. From tender lover to frightened friend, his Jerry is a polyhedral character, seemingly the weakest, though maybe the only victim of all the plots.
The rotating stage is the only simple device added to the empty and grey design. In their slow turns, the two circles which make the base align the different time parallels the story is set on. There is always one of the three characters who doesn’t interact with the others. And while at the beginning they each stand as ghostly presences in the background, thanks to the platform they later gradually converge through the various episodes.
Besides a good laugh, Betrayal leaves with a strange feeling of sadness, if not for the unhappy lives of the protagonist, then for the perception of impending destiny and mistrust that dominates everything. It is outstanding how this sheer production renders it all. The drama is the real protagonist.
★★★★★
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